As often in Han’s short treatises, his philosophy retreads familiar ground, but always with subtle new insights. He often makes similar points with nuance, circling back on well-worn themes. The subtitle of this book is “A Dialogue with Simone Weil” and throughout he references her thoughts on almost every page.
The newest facet of Han’s philosophical life is that he has personally seemingly found some sort of religion, explicitly, perhaps explaining his occupation with Weil. His first chapter is on the concept of attention, “Religion presupposes an attention to the things that elude availability, elude consumption, elude ‘eating’. Unavailability is precisely what constitutes the Other, the object of our contemplative attention. Contemplative attention is the opposite of the hunter’s vigilance. It does not seek or hunt, but rather listens and lingers.” He continues by riffing on the poles of good and evil, “We encounter good primarily in contemplative non-action, in inactivity. Evil, on the other hand, is expressed as blind action.” He quotes Weil, “Good is essentially other than evil. Evil is multifarious and fragmentary, good is one; evil is apparent, good is mysterious; evil consists in action, good in non-action or in non-active action.”
As is often the case in his works, Han’s philosophy critiques the failures of the modern age, “Today, we are addicted to searching. The soul itself is changing into a search engine. That rids it of any calm, any quiet. It loses contemplative attention as a negative effort that waits rather than searching actively. Weil attributes all missing presence of mind to the fact that ‘we have wanted to be too active; we have wanted to carry out a search’. No doubt she would agree with Kafka: ‘Whoever searches will not find; whoever does not search will be found.’ Whoever searches will fail to find grace.” Han then circles back to attention, “Our attention has become so dull that it lacks this highest part which could make contact with God. It lacks verticality. Our attention is absorbed by the consumption of stimuli. That makes it flat; it loses all depths and peaks…. Both empathy and respect rest on attention to the Other. Society grows desensitized if it loses its attention to the Other…. Emptiness is the guesthouse that receives the Other as they are, in their otherness, without any interference or admixture of the self.”
Throughout this short book, Han often quotes Weil directly before himself commenting. In his chapter on emptiness, Weil states, “I also am other than what I imagine myself to be. To know this is forgiveness.” Han suggests, “Weil’s ethics of the Other is based on emptiness. It requires me to read the Other against my will, against my imagination, renouncing myself and my expectations. Only attention to the Other does justice to it.”
Han relishes a world of silence. “Digital hypercommunication destroys the silence. Information as such is a noise. Today we perceive everything in terms of information; thus information and communication waste covers the world in noise. Information as noise wrecks our attention. Only contemplative attention has access to silence…. The spirit requires silence in order to produce or receive something entirely other. There is silence in the place of creation…. Contemplative silence also enables thinking to observe itself and thus produce new forms of thought. In this, philosophy resembles poetry. The spirit is only receptive to something completely other if it is emptied and is reborn from silence.” He quotes Weil directly, “Above all our thought should be empty, waiting, not seeking anything.”
Han expounds on the purpose of beauty in the world, “For Weil too, beauty is a sacrament: ‘Beauty is really, as Plato says, an incarnation of God.’ Beauty is ‘the real presence of God in matter’. Of all God’s characteristics, it is the only one that is incarnated in the universe. The sight of beauty gives us the certainty that God exists.” Again, Han quotes Weil directly, “The fact that man can pass into a state of aesthetic contemplation before a spectacle of nature as before a Greek statue is a proof of God.” She continues, “In everything which rouses in us a pure and genuine feeling for beauty, God is really and truly present. There is, as it were, a sort of incarnation of God in the world (Timaeus) of which beauty constitutes the sign…. Beauty is the experimental proof that the Incarnation is possible. It follows that all art of the first order is, in essence, religious.” Han chimes in, “Only contemplative, lingering attention can access beauty.” Weil states, “The attitude of looking and waiting is the attitude which corresponds with the beautiful.” She continues, “The beautiful is a carnal attraction which keeps us at a distance and implies a renunciation…. We want to eat all the other objects of desire. The beautiful is that which we desire without wishing to eat it. We desire that it should be…. It may be that vice, depravity, and crime are nearly always, or even perhaps always, in their essence, attempts to eat beauty, to eat what we should only look at. Eve began it.” Weil posits, “It is because beauty has no end in view that it constitutes the only finality here below. For here below there are no ends. All the things that we take for ends are means. That is an obvious truth.” Han elaborates, “The means without an end frees us from activity as production. Only contemplative viewing has access to beauty…. Beauty brings science and art into proximity. Art reveals beauty as the incarnation of God.”
Both Han and Weil assert that pain is a necessity of the truly lived life. Weil suggests, “On the plane of physical sensibility, suffering alone gives us contact with that necessity which constitutes the order of the world…. In order that a new sense should be formed in us to enable us to hear the universe as the vibration of the word of God, the transforming power of suffering and of joy are equally indispensable.” Han continues, “Profound happiness is only possible in a broken form. The negativity of pain characterizes this brokenness. Today’s culture of smoothness, however, distrusts any form of brokenness…. Pain is an ‘instrument for separating the authentic and the inauthentic in the manifestations of the living’. It is only through pain that we can distinguish between truth and untruth.”
Finally, Han turns explicitly to the problems of modernity, “We no longer live in a disciplinary society. The disciplinary regime gives way to the neoliberal regime, which is not determined by orders and obedience, but rather exploits freedom itself. In neoliberal performance-oriented society, slave and master become one…. We exploit ourselves in the belief that we are realizing ourselves…. Digitalization, which promises us more freedom, ultimately produces a panoptic prison. We are reduced to a data package…. Unlike the disciplinary society, where one is ordered to keep silent, the neoliberal information regime involves a compulsion to communicate that proves to be a very efficient means of control. And the compulsive acceleration inherent in digital communication destroys not only thought but also attention…. The universe is not a dead quantum. Rather, it is something living and spiritual. Weil imagines a kind of panpsychism: everything has a life and a soul…. Beauty eludes any form of efficiency or effectiveness. It is a quality without quantity. It is above all something on which we can linger. Only contemplative inactivity, which does not subordinate anything to a purpose, work or produce, opens up the world as beauty: ‘The goods of this world are like flowers which only retain their scent and beauty so long as they are not picked.’”
Han concludes, “Transcendent poetics saves work and life from total meaninglessness, from the domination of the pure quantum…. The pure economy of production, performance and efficiency deconsecrates and disenchants work. It prevents the symbolic, poetic elevation of work, which ensures that work enters a relationship with a higher reality beyond itself. Economy is the opposite of poetry…. Poeticized, spiritualized work approaches inactivity. Only purposeless doing, doing without an in-order-to, is poetic. Inactivity produces nothing. It eludes performance and efficiency…. Any activity that does not preserve a contemplative stillness at its centre amounts to slavery. It is stillness that spiritualizes human doings.”