“A Million Windows” by Gerald Murnane

As is the case with many of Murnane’s works of fiction, this novel has layers of story built upon layers. The stories are embedded within stories. “For the sake of the undiscerning reader, I shall repeat the simple fact that I am the narrator of this work and not the author.” Also similar to some of his previous work, this novel is more about the craft of writing than any so-called plot. In fact, Murnane repeatedly mines the same basic facts about his family and his past, all completely fictionalized, of course. “I recall no reviewer or critic who insisted that fictional characters ought not to be discussed as though they are persons living in the world where books of fiction are written and read.” The beauty of Murnane is that the reader gets so wrapped up in the asides and tangents that if one is not careful one can lose track of who exactly is speaking and what is story and what is commentary. “For him, the personages who had first appeared while he was reading some or another fictional text were no less alive after the text itself had come to an end than while he pored over it.” Of course, nothing is real. It is all fiction. “Fiction, even what I call true fiction, is fiction. An author demeans fiction if he or she requires the reader to believe that what happens in his or her mind while reading is no different from what happens over his or her shoulder or outside his or her window.” Murnane spends the most time in this novel ruminating on the art of narration. “The narrator of the this present work of fiction is one who strives to keep between the actual self and his seeming self and his seeming reader such seeming-distances as will maintain between all three personages a lasting trust.” He reveals on the very first page of this novel, “one of the commonest devices used by writers of fiction is the withholding of essential information.” This is sort of like a magician revealing his trick right before he goes ahead and deceives you. “Even the discerning reader who is also a student of narration — even he or she might struggle so far to classify the narrator of this present work and might struggle further as the work becomes more complicated in later pages. It is not for me to define myself, as it were.” The mystery should satisfy the reader even to the very last page. “But what could I have been hoping to learn about the flesh-and-blood author, the breathing author of these and who knows how many other pages of true fiction?”