“The Dark Forest” by Cixin Liu (translated by Joel Martinsen)

Liu’s science fiction trilogy succeeds in combining realistic contemporary physics, plausible futuristic extrapolations, historical eastern philosophy, and cultural sociology all within a grippingly mysterious narrative. This novel continues the story of “The Three Body Problem”, but most of the main characters are new, even as humanity’s existential threat remains. Ye Wenjie reappears in the opening pages of the novel, coining a new field in the social sciences, and setting the table for the rest of the plot, in her usual enigmatic fashion. “Suppose a vast number of civilizations are distributed throughout the universe, on the order of detectable stars. Lots and lots of them. Those civilizations make up the body of a cosmic society. Cosmic sociology is the study of the nature of this super-society…. Setup a few simple axioms at first, then derive an overall theoretic system using those axioms as a foundation…. First: Survival is the primary need of civilization. Second: Civilization continuously grows and expands, but the total matter in the universe remains constant…. To derive a basic picture of cosmic sociology from these two axioms, you need two other important concepts: chains of suspicion and the technological explosion.” One constant in Liu’s novels is the reminder that humanity is still extremely young in the timespan of the universe. “The outcome of natural biological evolution requires at least twenty thousand years to manifest itself, but human civilization has just five thousand years of history, and modern technological civilization just two hundred. That means that the study of modern science today is being done by the brain of primitive man.” The novel’s protagonist, Luo Ji, warns, “Everything has an ending. The sun and the universe will die one day, so why should humanity believe that it ought to be immortal?”

“Does Altruism Exist?” by David Sloan Wilson

Wilson is a professor of biology and anthropology, who specializes in evolution, both genetic and cultural. His theory can be summed up as, “selfishness beats altruism within groups. Altruistic groups beat selfish groups.” The key tension is between intra-group selection and inter-group selection. There is a constant friction between the individual and the larger group. “Behaving for the good of the group typically does not maximize relative fitness within the group.” And for evolution everything is relative. “Natural selection is based on relative fitness. It doesn’t matter how well an organism survives and reproduces, only that it does so better than other organisms in the evolving population.” And humans have evolved to a degree that has not been reached by any other animal on the planet, not even fellow primates. Therefore, for humans the group has often become the unit of selection. “We crossed the threshold from groups of organisms to groups as organisms…. The kind of social control that suppresses destructive within-group competition but permits and often cultivates group-beneficial forms of within-group competition is part of what the concept of major evolutionary transitions is all about.”

Humans adapted a whole suite of behaviors from cooperation between genetically unrelated individuals, distinctive cognition, symbolic thoughts, including language, and the ability to transmit and pass on culture in a relatively short amount of time, evolutionarily speaking. This inter-generational learning through cultural evolution is what has separated humanity from other primates. It has allowed humans, as a species, to build on past knowledge, so that the whole has retained more knowledge than is possible for any one individual over the course of one lifetime. “Regardless of whether a phenotypic trait is genetically inherited, learned, or culturally derived, it can spread by virtue of benefitting individuals compared to other individuals in the same group, by benefitting all individuals in a group compared to other groups, and so on for a multilevel hierarchy of groups.” The important aspect of altruism, particularly, is that it is the actions of individuals that matter and not their thought processes. Altruism is defined as traits that help at the group level rather than the individual, regardless of motive. “Proximate mechanisms need not resemble functional consequences in any way whatever.” As inter-group selection has evolved to dominate intra-group competition in humans, altruism has become a mechanism that leads to selection that favors groups that have been selfless in action, regardless of the reasoning behind it.

“Friedrich Holderlin’s Life, Poetry, and Madness” by Wilhelm Waiblinger (translated by Will Stone)

Holderlin was one of the greatest German poets of the late 18th and early 19th century. He studied Lutheran theology in a seminary along with Hegel and Schelling, before writing the epistolary novel “Hyperion” as well as his major odes. He sustained himself with various jobs from being a tutor to the German nobility to being appointed court librarian for a German prince. However, the last thirty-six years of his life he spent raving mad, in the care of a kindly carpenter, Ernst Zimmer, in his hometown of Tubingen. His family refused all contact with him and he spent most of his days locked up in the carpenter’s tower, part of the old city’s fortifications. This short book is a memoir of Waiblinger’s effort to meet with Holderlin from the years 1822-1826. Waiblinger was a young Romantic poet, with anti-establishment tendencies, who was to die of syphilis in Rome, before his memoir was published. According to Stone, for Waiblinger, as well as other Romantics, “Holderlin was a lesson, a terrifying example of the physical and mental health potentiality of imaginative thought unrestrained.”

Waiblinger begins his memoir by recounting what was known of Holderlin’s youth. “This soul then was composed of an infinite delicateness, noble, fine, deep of feeling but all too sensitive, with an audacious and daring imagination…. constructing a world in which the most bitter sufferings were perceived as the necessary creative element of inwardness.” By the time Holderlin reached seminary, he was still suffering bouts of melancholy, along with producing first drafts of what would become some of his greatest works of poetry. “He would sometimes retire for weeks on end and converse only with his mandolin…. his sufferings exacerbated by a love too delicate and sentimental, by his zeal and impetuous cravings for fame and honour, the loathing of his circumstances, the aversion to his course of study.” Throughout his life, “it was nature itself which he most worshipped and adored.” After two doomed love affairs, Holderlin was already teetering on insanity. “He took on a translation of Sophocles, which proved a curious blend of the wondrous and the deranged.”

Soon, Holderlin had been committed to an asylum, where he spent two years, only let out under the care of the carpenter Zimmer, who was a fan of his poetry. When, in 1822, Waiblinger was to first meet Holderlin he was already thoroughly insane. Waiblinger rented rooms in Tubingen and venturing to introduce himself to his hero, went “to the room of Herr Librarian—for this is how Holderlin prefers to be addressed…. The visitor now finds himself addressed as ‘Your Majesty’, ‘Your Holiness’ and ‘Merciful Father’.” Holderlin talked to himself incessantly, repeated the same simple tunes on his piano for days on end, babbled incoherently, and invented new words and languages. Waiblinger recounts, “I gave him paper to write on. Then he would sit at his desk and produce a few lines, metrically rhymed. Admittedly they were senseless, particularly the last ones, but at least they were consistent in their rhyming form…. His head is still brimming with a host of sublime metaphysical notions, indeed even original poetic expressions, but can only communicate them in the most obscure and fantastical manner. He lacks the capacity to retain his vaporous imaginings.” Zimmer summed up Holderlin’s existence, “It was too much inside him that caused his mind to give way.” Towards the end of his days, Holderlin, himself, wrote, “Now for the first time I understand humankind, because I dwell far from it and in solitude.”

“The Three-Body Problem” by Cixin Liu (translated by Ken Liu)

This is “hard” science fiction at its best. It is an epic novel that combines the best of realistic science, actual Chinese history, and world-leaping fantasy. Over the course of the story, realistic nuclear physics, computer science, virtual reality, and extra-terrestrial communications are all seamlessly woven into a compelling narrative. Space and time hop back and forth. The story begins in the depths of the Cultural Revolution, when Chinese intellectuals were being rehabilitated, punished, or worse. “But burning was their fate; they were the generation meant to be consumed by fire.” The story soon shifts to forty years later and to physicists on the frontier of contemporary science. “Theory is the foundation of application. Isn’t discovering fundamental laws the biggest contribution to our time?” But there were also humans opposed to this scientific progress. “He believed that technological progress was a disease in human society. The explosive development of technology was analogous to the growth of cancer cells, and the results would be identical: the exhaustion of all sources of nourishment, the destruction of organs, and the final death of the host body.” On Earth, scientists start dying under mysterious circumstances. A secret society (or two) is revealed. Superpowers collaborate. There is also much philosophy interspersed with the hard science. “The more transparent something was, the more mysterious it seemed. The universe itself was transparent; as long as you were sufficiently sharp-eyed, you could see as far as you liked. But the farther you looked, the more mysterious it became.” As the mystery of this novel unfolds, the story envelops you even as the technical details of the science impresses.

“The Story of the Stone Volume I- The Golden Days (The Dream of the Red Chamber)” by Cao Xueqin (translated by David Hawkes)

Cao Xueqin lived in Nanking in the 18th century. The Cao family had been wealthy, holding the office of Commissioner of Imperial Textiles, but by the time Cao Xueqin began this epic his family had fallen out of imperial favor and he was living in poverty near Peking. “My only wish is that men in the world below may sometimes pick up this tale when they are recovering from sleep or drunkenness, or when they wish to escape from business worries or a fit of the dumps, and in doing so find not only mental refreshment but even perhaps, if they heed its lesson and abandon their vain and frivolous pursuits, some small arrest in the deterioration of their vital forces.” Similarly, the novel tells the story of a grand family, the Jias, and their triumphs and travails over the generations. ““The extreme of adversity is the beginning of prosperity” — and the reverse of that saying is also true. Honour and disgrace follow each other in an unending cycle. No human power can arrest that cycle and hold it permanently in one position. What you can do, however, is to plan while we are still prosperous for the kind of heritage that will stand up to the hard times when they come.” The story mixes an authentic realism of everyday Chinese upperclass life in imperial China with elements of fantasy, such as talking stones, magical monks, and witchcraft. “This object comes from the Hall of Emptiness in the Land of Illusion. It was fashioned by the fairy Disenchantment as an antidote to the ill effects of impure mental activity. It has life-giving and restorative properties and has been brought into the world for the contemplation of those intelligent and handsome young gentlemen whose hearts are too susceptible to the charms of beauty."

Cao Xueqin’s first volume follows Bao-yu in his adolescence, the grandson and favorite of the Jia family matriarch, and a boy born with a mysterious jade stone stuck in his mouth. “When they celebrated the First Twelve-month and Sir Zheng tested his disposition by putting a lot of objects in front of him and seeing which he would take hold of, he stretched out his little hand and started playing with some women’s things — combs, bracelets, pots of rouge and powder and the like.” The story also meanders through a huge cast of characters, from minor relatives, to a bevy of servants and hangers-on. “Though I am so much richer and more nobly born than he, what use are my fine clothes but to cover up the dead and rotten wood beneath? What use the luxuries I eat and drink but to fill the cesspit and swell the stinking sewer of my inside? O rank and riches! How you poison everything!” The plot contains poetry, epigrams, song lyrics, riddles, calligraphy, priceless heirlooms, love intrigues, premature deaths, backstabbing family members, and plenty of family feasts. “Truth becomes fiction when the fiction’s true; Real becomes not-real when the unreal’s real.”