“The Ambassadors” by Henry James

James’ novel takes place in turn-of-the-century Paris. But the story is just as much about American industry. Strether is tasked with bringing the scion of an American manufacturing fortune, Chad Newsome, back from his extended sojourn in Europe to attend to business back at home. Strether has been led to believe that the completion of this task will result in nuptials between him and the wealthy widow, Chad’s mother. But Chad loves Paris. And has a woman, perhaps, in a complicated situation, perhaps. “‘I’ve come, you know, to make you break with everything, neither more nor less, and take you straight home; so you’ll be so good as immediately and favourably to consider it!’ — Strether, face to face with Chad after the play, had sounded these words almost breathlessly, and with an effect at first positively disconcerting to himself alone.”

Strether had not sailed across the Atlantic prepared to be converted to the lifestyle of the man he was sent over to escort home. But converted by Paris, as much as Chad, he was. “Miss Gostrey gave him a look which broke the next moment into a wonderful smile. ‘He’s not so good as you think!’ They remained with him, these words, promising him, in their character of warning, considerable help; but the support he tried to draw from them found itself on each renewal of contact with Chad defeated by something else. What could it be, this disconcerting force, he asked himself, but the sense, constantly renewed, that Chad was—quite in fact insisted on being—as good as he thought? It seemed somehow as if he couldn’t but be as good from the moment he wasn’t as bad.”

From the American side of the Atlantic, the Newsome family was certain of a disreputable love interest of some kind or another that was holding Chad in Paris. Strether was to discover, to his initial chagrin, that even more than by Chad, he was being swayed by the personal charms of Madame de Vionnet. “The pressure of want—whatever might be the case with the other force—was, however, presumably not active now, for the tokens of a chastened ease still abounded after all, many marks of a taste whose discriminations might perhaps have been called eccentric. He guessed at intense little preferences and sharp little exclusions, a deep suspicion of the vulgar and a personal view of the right. The general result of this was something for which he had no name on the spot quite ready, but something he would have come nearest to naming in speaking of it as the air of a supreme respectability, the consciousness, small, still, reserved, but none the less distinct and diffused, of private honour.”

After thoroughly enjoying his months-long visit of Paris, Strether concludes, “I don’t get drunk; I don’t pursue the ladies; I don’t spend money; I don’t even write sonnets. But nevertheless I’m making up late for what I didn’t have early. I cultivate my little benefit in my own little way. It amuses me more than anything that has happened to me in all my life. They may say what they like—it’s my surrender, it’s my tribute, to youth.”